When Something I Love Became Something It Shouldn’t

*insert witty post preface that makes you want to read this post*

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This past June and July were intense writing months for me. I reread Draft Three of Beasts, found a dysfunctional story, and decided that I could and would fix it. Because that’s what I do. I fix things. And if I can’t fix something, it drives me just a little bit crazy. And so help me, I was going to fix this story if it killed me.

A lot of June went into brainstorming how this fixing was going to happen and figuring out just how much of the 90,000 word Draft Three was going to be axed. As it turns out, 85k met the sword in my pursuit of a better fourth draft. I was on a deadline, one I couldn’t move again, so I dove into rewriting (fourth time’s a charm, right?).

I enjoyed very few (translation: zero) of the hours upon hours upon hours poured into the actual rewrites. Between hating the story itself and being drained spiritually, emotionally, and mentally by the other things going on in my personal life, the last thing I wanted to do was try and put what little I had left into fixing that stupid, broken story. As I wrote, I came to dislike it even more because the story was too warped to fix in one draft, but I had to do what I could because I’d postponed the Deadline too much already (the Deadline was an editorial review with an amazing freelance editor).

So I wrote, and I hated it. Doing the writing. The words themselves. Coughing up thousands and thousands of brand new words. Feeling guilty on days I only wrote 1,000 words. Sick with stress that made my family question if it was worth it, if I should write when it so obviously drove me to further physical exhaustion, anxiety, and emotional distress. I was wound so tight that I was popping a couple times a week in one way or another.

But I’m a writer, and writers write.

So that’s what I did. I wrote. I lived and breathed that story for five whole weeks. My sun rose and fell on how much progress I’d made, how many words I’d put on the page, how many days spun between me and the Deadline, and if I thought I could make it. Because so help me, I was going to make it. My thoughts ran in a constant, dogged cycle of plot and characters and questions and cringing over how people would react. Oh, yes, I was always anxious about what people would think when they read it, a bit of black terror crunching my heart whenever I guessed what they’d say. Too dark. Too confusing. Too simple. Too choppy. Too weird. Underdeveloped. Not enough description. Trying too hard. Too many plot holes. Childish. And let’s not even get into that rushed excuse for an ending.

I finished it, though, and it came to just over 60,000 words with just one day to spare. So off it went to an editor, and I was finally freeeeeeeeeee.

Except I wasn’t.

The anxiety and fear hounded me, and the remnants of the story hung in my mind, saturating my thoughts still because the whole time I was writing, something was missing, something big. And the absence of this thing was what put me into such a frenetic state, and I knew it. I knew what was wrong, why I was so agitated and turbulent; it wasn’t just about stress or dedication or perseverance or getting too little sleep.

It came into sharp focus when I received my edits. My editor had so many good thoughts and critiques, but one thing she said, an offhand kind of comment, struck me: “I can’t wait to see what God will do with it once it’s even more polished.”

Ah, right. God. Him. You know, the One I’ve said up and down that my writing is for blah, blah, blah. Yeah, Him.

I knew I was writing without Him, knew I was driving a wedge between us by how everything else was mastering me. I did my devotions faithfully, and I sought Him… but not as hard as I sought to fix that story. It’s sadly ironic—I didn’t like even one aspect of writing and story at the time, yet it was the writing and story that dominated my thoughts, took hold of my emotions, and consumed my energy instead of devotion to my Christ.

What I loved became something it was never intended—by me or my Jesus—to be. Ever.

It was a twisted form of worship, not to God, but to myself and what I could accomplish, had to accomplish, devoid of my greatest Vision. And after writing with and for God as much as I have tried to, I was keenly aware of how hard it was to wrestle against Him and try and make Him bless my work while I carried and would not give up a double-heart. A heart that wanted Him but not enough to make me seek Him with everything like I used to. A heart that wanted His blessings and hand in my writing but not enough to live like it. A heart that took the story He gave me and made it into something less, much less.

And I’ve spent the last month lying to myself, telling myself that it was so hard because I procrastinated (though, that did happen), it was so hard because the story was too much to fix in one shot (though, it was to an extent), it was so hard because of all the other things going sideways in life, it was so hard because blah blah blah.

Well, no, it was so hard because I did it alone, because I did it hoping to create something incredible by myself. I was all at once terrified of what people would say and yearning for their praise and approval, wanting them to tell me I had made something great and powerful. And most laughably of all, I wanted people to say that they were moved spiritually, that they understood grace a little better, that God spoke through it yet I wasn’t involving God in the writing. (And don’t mistake me: God can involve Himself in whatever He sees fit to with or without anyone knowing or recognizing it. My point here is that my heart was impure.)

What then? Now that I’m being honest—with myself and God and everyone else too—how do I untangle this? How do I put writing back where it is meant to be and bow my heart again to God?

Well, thank goodness I’m not doing it by myself. It’s been a lot of thinking and praying and wrestling with the Holy Spirit and opening hands and remembering and relearning truth I’ve somehow forgotten and coming back to full, true worship and communion with Him for the first time in weeks.

Why am I posting this on the blog? Because I’ve read that being honest and real (and ten other buzzwords like “authentic”) is important, and also because it hurts my pride more than just little to admit (on the freaking internet) that I struggled hard with things that this post and this post would have everyone believe I’m so far over.

There is always the danger that the things we love will become something they shouldn’t, will take on a role they aren’t meant to, and my prayer is that the Holy Spirit will help mightily, just like He helps me and is patient with me.

With love,

Rosalie <3

Finishing Draft Three {somehow an excuse to post baby animal pictures}

Peeps, I did it.

I finished Draft Three (aka: The Draft That Wants to Kill Me) of Beasts. And I did it without dying, so I feel like I should get extra points for that.

And I’ve recovered ALL of my files from my dearly departed laptop due to the tireless efforts from some of my amazing church family members (needless to say, there was much relief and thanking God). Also, I kind of owe a life-debt to the people involved with the finding and preserving of said files.

Instead of telling you about Beasts itself (because that would make sense), I’m going to tell you how the last week of my life was like trying to finish this beast (oh, see what I did there?).

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To put it frankly, this draft was really hard.

Here’s a bit of backstory: Draft One was written back in 2015, and let me tell you, it was awful (is “plotless” one word or two?). A marginally better Draft Two came out in 2016, but I don’t like to speak of that draft.

Draft Three is where all the heavy lifting happened. I took about 5,000 words from Draft One, maybe 8,000 words from Draft Two, and then I scrapped the rest (yeah, that was tough). Work on Draft Three lasted six months, and all that work boiled down to this past week when I faced a hard deadline.

The Story of How I Got a Hard Deadline:

Me to me: You can’t watch Beauty and the Beast until you finish Draft Three.

Me: What? You wouldn’t?

Me to me: Wanna bet?

Then I came up against The Face of Great Distraction.

The Face of Great Distraction:

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“Hi! I’m a week old, and I have a sister and five brothers, and we’re all really adorable and make such adorable sounds, and you should love on us instead of work on your novel.” — actual words this puppy said to me.

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“Hey, I’m very needy. You need to pet me and pay attention to me and give me treats and talk to me or else I’ll be forced to jump on you to make sure you know I exist.” — Bear every single time I try to be productive.

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“I’m Boots, just an adorable goat kid with four kid cousins, and you must come see me and let me chew on your clothes and climb in your lap and dance around in goat kid happiness.” — Boots the goat kid every. single. day.

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And let’s not forget My Precious.

I knew I was avoiding my novel when Graham said to me: “Rosalie, I’ve been stalking this mouse hole for three days now. You should help me hunt this tasty morsel.”

But instead of saying: “Graham, you don’t speak English, and I have to finish this draft,” like a normal person would, I said: “Oh, great idea, Precious! I’ll bring coffee and my BB gun, and it’ll be just like old times when you were a kitten!”

After two hours of our stakeout, I had to face the reality that it was all in my head and that I needed to get back to finishing Draft Three. That’s when My Precious gave me this look:

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Um, this face. :O

Okay, I did not spend two hours on a stakeout with Graham, but let me tell you I THOUGHT ABOUT IT.

But, guys, in The Face of Great Distraction, I prevailed.

It was making coffee at 9:30 pm some nights to fuel me for a night of writing. It was getting up at 4:00 am (aka: Stupid Early) to write before work some mornings. It was coming up against all kinds of fear and hate for my story and writing anyway.

It was reviewing my outline and throwing out what no longer seemed to work. It was word wars with lovely writing friends (a shout out to Brittany, Katie, and Nadine). It was taking a break to write a flash fiction and then coming back to my novel after a week with fresh drive.

It was my sister asking “Are you going to write?”. It was sharing my wordcounts with my dad and him cheering me on. It was my mom telling me some nights that I needed to sleep instead of write because I really needed the rest and my writing would be better for it.

It was praying for God’s hand in this story more every day. It was realizing that since He’s given me the green light, I need to go, no more indecision, no more fear.

It was hard, and my novel still needs a lot more work.

There are still several more drafts to come, but it’s finally starting to look like a story. When I read it next week, it’ll probably be awful, but it’s so much better than it was.

The Draft That Wants to Kill Me is finished.

It came to just over 93,000 words (a number I hope will shrink with more editing), 33 chapters, and an epilogue.

And for those of you who have made it to the end of this babbling post, here’s an aesthetic board and then the premise of Beasts (so I guess I’m telling you a little about Beasts after all…).

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I own none of these pictures.

Premise: a retelling of Beauty and the Beast told in the words of the witch who cursed the Beast.

Let’s chat, peeps. What are your struggles with your WIP? What part of the writing process are you in right now? What are the faces of your distractions?

With love,

Rosalie

P.S. – seriously though, guys, Graham’s face in that last picture causes me some concern.